In view of the reopening of performing venues on 19 February, the Hong Kong Arts Festival announces changes to in-venue programmes. Please visit this page for details.
Canadian theatre artist Anita Rochon set herself the challenge of making a live touring piece that puts no performer on tour in order to reduce “her” carbon footprint. Using a temperamental broadcast green screen, Pathetic Fallacy tackles a changing relationship to weather. Local award-winning actor Pichead Amornsomboon takes on the central role in this innovative and provocative work that circles around climate change and lands on one person. This production was named one of The Globe and Mail's "Top 10 Theatrical Works of 2020" in Canada.
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The Chop
Pathetic Fallacy


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An inventive, thought-provoking show about climate change
Created by award-winning company The Chop from Canada 

Performed with award winning local actor Pichead Amornsomboon

Top 10 Theatrical Works of 2020 (The Globe and Mail, Canada)

“Rochon has developed a visually impressive multi-media experience exploring art, culture and our changing perspective on climate change.”
“An ever-changing dreamy performance on our ever-changing weather.” Voice (UK)

Pathetic Fallacy is an inventive and thought-provoking show about climate change from The Chop, creators of the award-winning international hit How to Disappear Completely. Weather forecasts, DIY cinematography, action films, choreography, gallery talks, meteorological science, and local stand-ins all combine for an inspiring experience.

Writer-director Anita Rochon set herself the challenge of creating a live touring work that reduces climate impact by putting no performer “on tour.” Instead, every show—regardless of geographic location—presents a local actor in the central role of this provocative piece that plots a line between ancient weather gods and immediate conundrums. HKAF invites award-winning local actor Pichead Amornsomboon to take the stage and play the role of Anita.

Pathetic Fallacy examines our changing relationship to weather. It circles around climate change and lands on one person. It is more reflective than didactic, delivered with wit and curiosity. Urgently draws together landscape painting, small talk, meteorological science and the pathetic fallacy of the title—the attribution of human feelings and responses to inanimate things like the weather—this piece questions the value of emotion in the face of a coming storm.

Performed in English with English and Chinese surtitles
Latecomers will not be admitted
Approx 1 hr with no interval

Venue partner:
Tai Kwun – Centre for Heritage and Arts
Cast and Production
Guest Performer
Pichead Amornsomboon  

Text and Direction
Anita Rochon

Projection Design
Candelario Andrade
Milton Lim 

Original Projection Design
Jordan Lloyd Watkins
Outside Eye and Dramaturgy
Emelia Symington Fedy
Mark Chavez

Sarah Stanley

Lighting Design
Itai Erdal

Video Audio
Malcolm Dow

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